As I’ve indicated before on this blog, I am not a true drawer, or illustrator. What I do is work with what is available and make it my own. Stencils and geometric designs are a large part of my artwork, as are spirographs of all types. For my short stories, and my longer homemade books of Fiction, I love to incorporate story-related stencil- geometric- and spirograph-centered creations, which I refer to as my invented Roughcraft Art.
(BELOW): Here is an example of a stencil-centered, geometric horse:
I scanned the art piece twice, once (ABOVE) in full page, and again (BELOW) to demonstrate more closely the technique of presenting stencil-centered objects.
The paper material on which this drawing was done is old-style soft, light brown wrapping paper, such as was used to wrap bundles of newspapers for delivery. As a once-upon-a-time local newspaper route delivery woman, I have mounds of this wonderful paper available. It holds colors true for ages without being under glass. Markers, paint, crayons, white-out, colored pencil, and ink all work wonders on this brown paper’s surface. The latest wrapping paper used now is more harsh, and I haven’t experimented with it to date.
Drawings scanned from the personal and copyrighted collection of Barbara Anne Helberg